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Why 50mm Is Misunderstood

9/24/2024 ISO 1200 Magazine 0 Comments

 

The 50mm lens is often viewed as a middle-ground option in photography—neither wide enough for grand scenes nor telephoto enough for isolating subjects. Despite its versatile reputation, many photographers struggle with composing effective images using this focal length. In this video, photographer Martin Castein explores why the 50mm lens is misunderstood and how to maximize its potential.



The Challenge of 50mm Focal Length


The 50mm lens is often seen as tricky because it lacks the defining features of wider or longer focal lengths.
  • Not Wide Enough: Unlike a 35mm or 24mm lens, the 50mm cannot capture large portions of a scene, making it less ideal for landscape or environmental shots.
  • Not Telephoto: It also doesn’t provide the compression and subject isolation of an 85mm or 135mm lens, which are commonly used for portraits.
This middle ground makes the 50mm difficult to compose with, as it doesn’t excel at either extreme. Photographers often find their shots look cramped or flat, struggling to balance their subject with the background.


The Minimalist Advantage of the 50mm


Where the 50mm shines is in creating minimalist compositions. By focusing on just a few key elements, photographers can achieve a clean, balanced look. The secret to working with a 50mm lens is understanding that:
  • Less is More: Instead of trying to include the whole scene, focus on one to three background elements. These elements should complement the subject rather than overpower it.
  • Simplifying the Background: By keeping the background clean and sparse, the subject stands out more clearly, giving the image a professional, uncluttered feel.
This approach works especially well in urban settings where objects like scaffolding, buildings, or street signs can subtly frame the subject without overwhelming the composition.


Using the 50mm for Portraits


Despite its challenges, the 50mm lens can be incredibly effective for portrait photography when used correctly. It offers a neutral perspective, avoiding the distortion common with wider lenses while still providing a natural look.
  • Half-Length Portraits: The 50mm excels at half-length portraits, framing the subject from the waist up. This composition gives the subject enough context without crowding the frame.
  • Close-Up Headshots: While more difficult, the 50mm can be used for headshots. The trick is to position the camera at eye level or slightly below to avoid distorting the subject’s features. Lowering the camera creates a more flattering, natural look.

The 50mm lens, often misunderstood, can produce stunning results when used correctly. By focusing on minimalist compositions, rotating around the subject for balance, and mastering half-length portraits, photographers can unlock the full potential of this versatile lens. 

Image and video via Martin Castein

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