When a scandal involving an advert for sanitary towels threatened to ruin her modelling career, Miller convinced the American artist Man Ray to take her on as his apprentice, eventually becoming a respected member of the Surrealist circle and starring in Jean Cocteau’s avant garde film ’The Blood of a Poet’.

Despite doing commercial photography for Vogue magazine, her work consistently took on a dark, surreal edge, photographing everything from a severed breast on a plate setting – the results of a radical mastectomy – to the eerie scratches made in a window pane in a high-end Parisian perfume store. Her photojournalism for the US Army produced some of the most shocking images of Nazi concentration camps from the Holocaust, which she forced her editor at Vogue to publish, as well as an unbelievable image of herself in Hitler’s bathtub at the end of the war.

Watch her granddaughter Ami reveal the stories behind some of Lee Miller's most incredible photographs, held at both the V&A and at her house in Sussex, now the home of the Lee Miller Archives.